The
"Tracking Project" investigates the recognition and gathering
of trace evidence which is perceived, sometimes even inadvertently
and subconsciously, and that exposes the bias and direction
of a culture's migration. This dispassionate accumulation
of trace invests a Tracker, as with a guide, in support of
their unique temporal voyage that occurs within this mass movement.
The
Tracker is not anxious but is aware, not suspect but attentive,
is silent yet present. Simultaneously, a Tracker carries the
acknowledgement - maybe blasé - of a regard for the inevitability
of consciousness, of the impotence of control and of the curiosity
toward an objective. Not so much acquiescence, this acknowledgement
proposes the acceptance of a question around the relative importance
of one's negotiation toward death. It begs the presence for
the super real, extra-durational instant and broaches the internal
dispute between one's appreciation of wonder and the enduring
threat of its potential homicide.
The
intent of this component of the "Tracking Project," Tracking
Identity, is to capture and identify the visual characteristics
of the facial profile of everyone in the world. The act of
profiling has become ubiquitous in this contemporary world.
And this is just one more attempt to accumulate a record
of everyone present.
It
is hoped that through this process of accumulating and disseminating
a multitude of visual identifiers, it will be recognized that
the visual difference between individuals, and hence all other
personal characteristics, is seen not only a distinction but
is also part of a visual spectrum.
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